Once again, the award-winning Night School makes its way to the screen here in Chicago starting October 4 at Facets Multimedia. There’s a great variety of spine-tingling goodness with films from around the world ready to scare the hell out of you. Each film will be presented with a lecture prior to screening and a Q&A after most of the presentations.
This will be our final gig at Facets Multimedia so come on down for some spooky thrills! Night School will be traveling on to new venues TBD.
You Are Who You Eat!: Fruit Chan’s Delicious, Disturbing Dumplings
October 4, 2013
Presented by Michael Smith
Fruit Chan (MADE IN HONG KONG, DURIAN DURIAN) became internationally famous for a series of gritty, naturalistic dramas tackling important social issues in the turbulent Hong Kong of the 1990s. With 2004′s DUMPLINGS he drastically shifted registers, crafting an elegant and beautifully photographed horror film (the exquisite color cinematography is courtesy of the great Christopher Doyle) that successfully translates his trademark social criticism to the confines of the more genre-oriented filmmaking for which Hong Kong is best known. The result expertly balances visceral shocks with intellectual provocation, and deservedly became one of the most acclaimed Hong Kong films of the post-”handover” era, winning numerous accolades along the way (including a Film of Merit Award from the Hong Kong Film Critics Society and many Best Supporting Actress trophies for Bai Ling). Come on out to see this director-preferred expanded version of DUMPLINGS and find out what all the fuss is about — though you may want to hold off on eating before you come!
Michael Smith is an independent filmmaker whose most recent short films, At Last, Okemah!! (2009) and The Catastrophe (2011), have won multiple awards at film festivals across the United States. Since 2009, he has taught film history and aesthetics at Chicago-area colleges including Oakton Community College, the College of Lake County, and Harold Washington College. His first book, Flickering Empire: How Chicago Invented the U.S. Film Industry, a non-fiction account of early film production in Chicago, will be released by KWS Publishers, Inc. in late 2013. He is also the creator and sole author of the film studies blog WhiteCityCinema.com. He has previously taught many Facets Night School sessions including “Drilling Into The Slumber Party Massacre” and “Eat the Rich: Manoel de Oliveira’s Unlikely Cannibals Musical.”
One Roll of Flesh, No More No Less: The Mad World of Suicide Club
October 5, 2013
Presented by Dominick Suzanne-Mayer
October 11, 2013
Andy Milligan was the quintessential grindhouse filmmaker, shooting movies for next to nothing and, legend has it, occasionally editing with his teeth and some scotch tape! Milligan was a control freak on a level that made Stanley Kubrick look positively relaxed: he built sets, sewed costumes, wrote, directed, edited, and basically did everything a person can do on a film set. There’s no mistaking an Andy Milligan film for the work of any other director. His period pieces are particularly interesting, one of the best being “Guru, the Mad Monk,” in which Milligan regular Neil Flanagan plays the titular insane “holy man” who uses his position to cover up his evil deeds.
October 12, 2013
Presented by Demetra Materis
In the summer of 1975, Camp Arawak is a great place for summer vacation – unless you aren’t nice. Shy Angela is sent to Arawak with her cousin after her immediate family’s demise in a boating accident. Before long, campers and staff with less than pure motives start turning up dead, in increasingly bizarre and violent ways. What twisted individual is behind the body count? What exactly is Angela hiding? And really, is it that big a deal to lose such terrible people?
Weird, offensive and brilliant, Sleepaway Camp has attracted a cult following since its 1985 release. But why are so many horror movies intent on punishment – other than the utter coolness of fake blood? Dig up your awesome short shorts and join Lauren Whalen as she explores why in the horror genre, cruel intentions can get you the boot (or knife).
Lauren Whalen is a freelance writer for Chicago Theater Beat and The Film Yap. Previous Night School presentations include Brick, Mulholland Dr., Donnie Darko and Drop Dead Gorgeous. Lauren’s had an 11-year relationship with Facets as an intern, subtitle reader, full-time employee and volunteer. There are many who would call her a bad, bad girl.
Full Metal Frankenstein!
October 25, 2013
Presented by Bruce Neal
The 1931 James Whale/ Boris Karloff/ Dwight Frye classic, Frankenstein, presented with a live score by Dysfunctio Cerebri, a new ensemble featuring members of On You, Czar, Get Up with the Get Downs and The Crippled Masters. Guitars will crack like plasma filaments emanating from a Tesla coil! The villagers will march! Bring your lighters! With secret surprise second short feature! It’s Alive!!
Bruce Neal is a projectionist at Facets and has worked in film, music, underground theater, performance art and stand-up comedy. He was creative and story consultant on Dream Havana, which won Best Documentary at the Chicago, Orlando and Lyon Latino Film Festivals. His previous Night School classes covered such films as Street Trash and God Told Me To. Bruce also co-created original soundtracks to A Page of Madness, Haxan: Witchcraft Through the Ages, The Fall of the House of Usher, Alucarda and the shorts of Bettie Page as a member of The Cursed Bird Ensemble (among many other aliases). Currently, he’s performing in the Death-Folk band The Crippled Masters with fellow soundtrack alum Matt Silcock.
October 26, 2013
Presented by Joseph R. Lewis