The above work is entitled “Paintscape no. 15: Punctum Contra Punctum”. Latin for point – counterpoint, the title leads us to consider the work as a visual debate, as a system in which diverse elements comment upon one another. Monochrome lines whose sweeping curves tease contradictory perspectives out of their sharp intersections weave across intermingled clouds of vivid color. A tag on the back displays the name, but the vast majority of Meinecke’s creations were untitled. This was likely a deliberate choice on his part. He preferred for each person to approach each work without any preconceptions.
I ended up giving them all names and, for the most part, repeating those names at everyone until they stuck. Assigning each work an arbitrary number works wonderfully on a spreadsheet, but “b-43” is not especially helpful if you’re calling down a narrow stairwell at someone who’s trying to find it in the dark. In that situation, “the rainbow one with the white lines across it” could narrow it down to this and perhaps four or five other paintings. And this is the only one that’s eight feet long. Thus, to me, Punctum Contra Punctum is a delightful, stress-free object which never once during the inventory process required me to tear out any of my hair or hiss at a fellow project member in frustration. Unlike many of its friends.
There are 263 items in the inventory. They range in size from 11″x12″ sketches on fragile tissue paper (1-84) to the gargantuan split-level that measures out at 97″x50″x4.5″ (pic of b-60 leaning against a ceiling beam).
Frames, when present, can be elaborate or simple, and are often painted or uniquely shaped in such a way that they are integral parts of the artwork. A significant number of pieces could legitimately qualify as either painting or sculpture. Most are entirely abstract – though we have a running joke that if you look at any Meinecke creation long enough, you’ll see a face in it.
A guest pointed out the face in this one (1-25) to me, just yesterday, at the end of the second week of the gallery show. I was appropriately flabbergasted and burst out laughing.
Eight months ago I began my own exploration of the Meinecke family’s ground floor and basement. My original task was simply to inventory all the art it contained, and to create an organizational system which would make it possible
to keep track of all the items while the collection was cleaned and moved to a storage facility. From my experience in administrative work I knew for certain that this would be an exasperating and tedious task.
I had only the faintest suspicion that it would also be a magical adventure.
Chaos cannot be subdued. Order is forever running after it with cameras begging for a quote. In this series, I invite you to follow in hot pursuit as I strive to create the final, definitive, official Tristan Meinecke document numbering system.